so I have energy
to breathe.
. . . .
Going real slow
by foot down river
fumes belching
out of Moscow.
Heavy guards around
your smokestacks.
— Jim Dine, Travel Dust
-
I Installation view -
II Installation view -
III Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary -
IV Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary -
V Vitaly Bezpalov, He loved to look, he loved the sight of blood and tears II, 2022, glass, artificial blood, cigarette butts, dimensions vary -
VI Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary -
VII Vitaly Bezpalov, The Short Night of Glass Noise (detail), transparent film, bottle of cider, Art of Working Class newspaper, Nostradamus book, cigarette butts, artificial blood, mixed media, dimensions vary -
VIII Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm -
IX Karina Azizova, ups and downs of mother-daughter ratio (detail), 2020, watercolor on photo paper, 21 x 29 cm -
X Karina Azizova, ups and downs of mother-daughter ratio, 2020, watercolor on photo paper, 21 x 29 cm -
XI Installation view -
XII Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm / Karina Azizova, fire rat 1996 forever 1, 2019, matte print on aluminum dibond, 18 x 25 cm -
XIII Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) I, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm -
XIV Installation view -
XV Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm -
XVI Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm / Vitaly Bezpalov, Corruptible Bodies (Only That Which Falls Can Rise Again) II, 2022, sawdust, ashes, and colored pencils on sandpaper, 23 x 28 cm -
XVII Karina Azizova, fire rat 1996 forever 1 & 2, 2019, matte print on aluminum dibond, 18 x 25 cm -
XVIII Installation view -
XIX Spas Setun gallery sign, Installation view -
XX Karina Azizova, fire rat 1996 forever 2, 2019, matte print on aluminum dibond, 18 x 25 cm
Photo by Karina Azizova
© Artists and Spas Setun, Moscow